| Works Cited: (Divided by Page Cited on) |
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| Beginning | |||||||||||||
| Abrahms, M.H. A Glossary of Literary Terms.
Boston: Thoman Wadsworth, 2005. Bornstein, Kate. Gender Outlaw: On Men, Women, and the Rest of Us. New York: Vintage Books, 1994. Feinberg, Leslie. TransLiberation: Beyond Pink or Blue. Boston: Beacon Press, 1998. GenderQueer: Voices From Beyond the Sexual Binary. Ed. Joan Nestle, Clare Howell, and Riki Wilchins. Los Angeles: Alyson Books, 2002. Stryker, Susan. “My words to Victor Frankenstein Above the Village of Chamounix: Performing Transgender Rage.” The Transgender Studies Reader. New York: Routledge, 2006. 244-156. Wilchins, Riki Anne. Read My Lips: Sexual Subversion and the End of Gender. Ithaca: Firebrand Books, 1997. |
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| Cues | |||||||||||||
| Bornstein, Kate. Gender Outlaw: On Men, Women, and the Rest of Us. New York: Vintage Books, 1994. | |||||||||||||
| "Looking at Looking in Boy's Love Manga" | |||||||||||||
| NOTE: DC and Marvel hold the right to Batman, Superwoman, Catwoman and Poison Ivy Mulvey, Laura. "Visual Pleasure and Narrative Cinema." Screen 16(3): 6–18. Silverman, Kaja. The Subject of Semiotics. Oxford: Oxford University Press,1984. McCloud, Scott. Understanding Comics.New York: Harper Collins, 1993. "To Make and Angel." Single Celled Organism. Kissing. |
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| HyperMedia | |||||||||||||
| "Articulate." Oxford English Dictionary Online. Gold, Emily. Venus of Mars: A Transgender Blogumentary. Hedwig and the Angry Inch. Memmott, Talan.Lexia to Perplexia. http://www.uiowa.edu/~iareview/tirweb/hypermedia/talan_memmott/ |
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| Fanfiction and Slash | |||||||||||||
| Baker, Houston A, Jr. and Charlotte Pierce-Baker. “Patches: Quilts and Community in Alice Walker’s ‘Everyday Use.’ Everyday Use/ Alice Walker. Ed. Barbara T. Christian. New Brunswick: Rutgers University Press, 1994. 149-166.
Elsley, Judy. “A Textual Quilting Bee.” Quilts as Text(iles): The Semiotics of Quilting. New York: Peter Lang Publishing, Inc., 1996. 53-64. ---------------. “Breaking Form: The Crystal Quilt.” Quilts as Text(iles): The Semiotics of Quilting. New York: Peter Lang Publishing, Inc., 1996. 21-27. Jenkins, Henry. Textual Poachers: Television Fans and Participatory Culture. New York: Routledge, 1992. Joyrich, Lynne. “Feminist Enterprise? “Star Trek: The Next Generation” and the Occupation of Femininity. Cinema Journal, Vol 35, No 2 (Winter 1996), 61-84. JSTOR 12.04.2007 Kaytal, Sonia K. “Performance, Property, and the Slashing of Gender in Fanfiction.” The American University Journal of Gender, Social Policy, and Law, Vol 14 (2006), 461-518. Kelley, Margot Anne. “Sisters’ Choices: Quilting Aesthetics in Contemporary African- American Women’s Fiction.” Everyday Use/ Alice Walker. Ed. Barbara T. Christian. New Brunswick: Rutgers University Press, 1994. 167-End. Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Film Theory and Criticism. Ed. Leo Braudy and Marshall Cohen. New York: Oxford University Press, 2004 (8370848). Various. “The Harry and Draco Archives.” thehexfiles.net. Last accessed 11.07.08. |
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